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dc.contributor.authorMassot, Gilles-
dc.date.accessioned2019-09-20T16:49:45Z-
dc.date.available2019-09-20T16:49:45Z-
dc.date.issued2018-
dc.identifier.issn2184-1241-
dc.identifier.urihttp://hdl.handle.net/10437/9792-
dc.descriptionInternational Journal on Stereo & Immersive Mediaen
dc.description.abstractThe photographic work done by Jules Itier around the China Sea in 1844-45 while travelling with the Lagrené Mission was thought to be, up until recently, some of the earliest photographs of several Asian countries. A new round of research has established that they are indeed the earliest extant photographs of Asia, while proposing new readings of a few outstanding daguerreotypes such as the DaNang fort and the 360º panorama of Canton made-up of 14 plates. This paper looks at the longer term and theoretical implications of what we can now call a ground-breaking body of work. en
dc.formatapplication/pdf-
dc.language.isoengen
dc.publisherUniversidade Lusófona de Humanidades e Tecnologiaspt
dc.rightsopenAccess-
dc.subjectAUDIOVISUALpt
dc.subjectFOTOGRAFIApt
dc.subjectPHOTOGRAPHYen
dc.subjectAUDIOVISUALen
dc.subjectDAGUERREOTIPIApt
dc.subjectDAGUERREOTYPEen
dc.titlePlacing Jules Itier’s Body of Work in Perspectiveen
dc.typearticlept
Aparece nas colecções:IJSIM : International Journal on Stereo & Immersive Media, Vol. 2, Nº. 2 (2018)

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