Reflexive perplexities : the virtual camera in ‘she’s not there’

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Reflexive perplexities : the virtual camera in ‘she’s not there’

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dc.contributor.author Moyes, Peter
dc.contributor.author Harvey, Louise
dc.date.accessioned 2018-04-13T11:48:46Z
dc.date.available 2018-04-13T11:48:46Z
dc.date.issued 2017
dc.identifier.issn 2183-9271
dc.identifier.uri http://hdl.handle.net/10437/8727
dc.description International Journal of Film and Media Arts pt
dc.description.abstract We report on the conception, production and delivery of the live music, live performance, 3D animated project She’s Not There that opened the CILECT congress in Brisbane November 2016. We discuss the operations of the virtual camera in framing the virtual 3D space within the real space of the theatre stage. We muse on this Mixed Reality mode within the context of Goudal’s conception of cinema as fostering in its audience a ‘conscious hallucination’ (1925); the appeal of our project is contingent upon the audience being able to view outside of the frame while enjoying the fantasy within, to knowingly invest in its illusion. en
dc.format application/pdf en
dc.language.iso eng pt
dc.publisher Edições Universitárias Lusófonas pt
dc.rights openAccess en
dc.subject AUDIOVISUAL pt
dc.subject CINEMA pt
dc.subject ANIMAÇÃO 3D pt
dc.subject EFEITOS VISUAIS EM 3D pt
dc.subject AUDIOVISUAL en
dc.subject CINEMA en
dc.subject 3D ANIMATION en
dc.subject 3D VISUAL EFFECTS en
dc.title Reflexive perplexities : the virtual camera in ‘she’s not there’ en
dc.type article pt


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