Multi-task cinema, or a “whatever style”

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Multi-task cinema, or a “whatever style”

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dc.contributor.author Viveiros, Paulo
dc.date.accessioned 2018-04-13T11:05:03Z
dc.date.available 2018-04-13T11:05:03Z
dc.date.issued 2017
dc.identifier.issn 2183-9271
dc.identifier.uri http://hdl.handle.net/10437/8724
dc.description International Journal of Film and Media Arts pt
dc.description.abstract This text seeks to reflect upon the impact that new imaging technologies — from video introduction to computers dependency — have had on more recent generations of cinema, and its effect on film language. The context of the analysis is North American cinema and the Hollywood industry in particular which, as a large production system, absorbs and transforms technological novelty in order to enlarge the scope of its action (in line with the idea of general audiences and the phenomenon of globalization which loses its cultural specificities). From the cinematographic point of view, the immediate consequences of such impact are felt in film language rooted in classical narrative, with particular focus on action and science fiction films; and, from a cultural standpoint, how they precociously manifest themselves in school movies done by a generation with a visual culture also marked by music videos and YouTube cultures. en
dc.format application/pdf en
dc.language.iso eng pt
dc.publisher Edições Universitárias Lusófonas pt
dc.rights openAccess en
dc.subject AUDIOVISUAL pt
dc.subject CINEMA pt
dc.subject INOVAÇÃO TECNOLÓGICA pt
dc.subject IMAGEM CINEMATOGRÁFICA pt
dc.subject LINGUAGEM CINEMATOGRÁFICA pt
dc.subject AUDIOVISUAL en
dc.subject CINEMA en
dc.subject TECHNOLOGICAL INNOVATION en
dc.subject CINEMATIC IMAGE en
dc.subject FILM LANGUAGE en
dc.title Multi-task cinema, or a “whatever style” en
dc.type article pt


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