Where good old cinema narratives and new media collide

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Where good old cinema narratives and new media collide

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dc.contributor.author Fábics, Natália
dc.date.accessioned 2018-04-13T10:57:27Z
dc.date.available 2018-04-13T10:57:27Z
dc.date.issued 2017
dc.identifier.issn 2183-9271
dc.identifier.uri http://hdl.handle.net/10437/8723
dc.description International Journal of Film and Media Arts pt
dc.description.abstract Based on the study of contemporary action/fan- tasy/horror blockbusters adopted from video games, with a special focus on Assassin’s Creed (Kurzel, 2016), the paper examines the influence of new media, and especially video games on contemporary cinema storytelling, with a spe- cial focus on how they reshape narrative struc- tures and logic through adding a novel spatial dimension and incorporating a new form of re- ality based on the rules of video games. This re- ality of imagined spaces create a narrative that from many aspects break away from the rules and the logic of a more ‘tightly-woven’ storytell- ing, and – among many other things – introduce the presence of the non-present, unfold their plots through discovering the unknown spaces of imaginary universes. While this ‘new real’ is emerging in contemporary cinema, as the pres- ent paper will argue, in years to come it might easily become a set of ‘new rules of the game’ for a lm industry targeting a new generation of movie-goers who grew up with touchscreens and apps, and are just entering their teenage years. en
dc.format application/pdf en
dc.language.iso eng pt
dc.publisher Edições Universitárias Lusófonas pt
dc.rights openAccess en
dc.subject AUDIOVISUAL pt
dc.subject CINEMA pt
dc.subject NOVOS MEDIA pt
dc.subject VIDEOJOGOS pt
dc.subject AUDIOVISUAL en
dc.subject CINEMA en
dc.subject NEW MEDIA en
dc.subject FILMS en
dc.subject VIDEO GAMES en
dc.title Where good old cinema narratives and new media collide pt
dc.type article pt


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